As at January 2023, the expertise of the Childers Group: an independent arts forum is as follows. (We respectfully ask that artists, arts groups and arts organisations do not send complimentary tickets to the Childers Group.)
MICHAEL WHITE – coordinator
Michael has been involved in the arts as a theatre practitioner and advocate for over 40 years. He studied Drama at Flinders University and graduated with a BA (Hons) in Drama (Performance) in 1973. In 1979 he moved to Canberra and worked as an actor with the Jigsaw Theatre in Education Company and Canberra Youth Theatre. In 1981 Michael moved to the UK and found work in theatre-in-education projects in Wales. In 1983 he returned to Canberra and worked here as a freelance actor and then moved to Melbourne where he worked as freelance film technician with Crawford Television. In 1987 Michael was a co-founder of the Melbourne Workers Theatre, a theatre company that was funded under the Australia Council’s Art in Working Life Policy. In 1989 Michael returned to Canberra where he worked again as a freelance actor and also joined the ACT Arts Council and worked as a Community Arts Officer. Over the years he has worked as a performer with State Theatre Company of SA, Junction Theatre Company (SA), Canberra Theatre Company, People Next Door (ACT) and the ABC. In 1993 he commenced work in Canberra as an Industrial Officer for the Actors Equity Section of the Media Entertainment and Arts Alliance (MEAA) the trade union that covers performers and all those who work in the media and entertainment industries. (He had joined Actors Equity in 1974.) In 2000 he became ACT Branch Secretary of the union and he left MEAA in July 2014 after 21 years. During his time at MEAA he also served on the ACT Cultural Council, the ACT Government’s arts advisory body. He is currently on the Board of Rebus Theatre.
In true Canberra fashion Mark left the Bureau of Statistics to work in the Arts in the mid 80’s. After a stint managing the Arts Centre at ANU, he spent the next decade as Director of Gorman House Arts Centre developing it into a thriving local cultural hub, before moving to Adelaide as CEO Jamfactory Contemporary Craft and Design. Along the way Mark enjoyed collaborating with others to build the capacity of the sector and to expand the opportunities for creators to work and to share their work with others.
With a number of Canberra artists and arts organisations he initiated Canberra Arts Marketing and was a member of reference groups on the design of the Street Theatre and the Belconnen Community Centre. He was a driving force behind, and the Performing Arts Café (where he was Artistic Coordinator and often MC and performer) and the Festival of Contemporary Arts (FOCA). Mark also co-wrote and performed many political comedy gigs around Canberra with creative partner Roland Manderson, including stints on ABC morning radio, and he performed in a number of comic shows including Eureka’s A Night on the PS and Another Night on the PS, and occasionally tutored at Canberra Youth Theatre.
As CEO of JamFactory Contemporary Craft and Design he increased its profile as a centre of craft and design practice and secured a national funding stream. During this time Jamfactory was recognised with several State awards for both tourism and design, and its artist’s gained increasing international recognition (including at the Talenté young designer awards in Munich and at SOFA – The Sculpture Objects Functional Art and Design Fair Chicago). Mark also chaired the national network of Craft and Design organisations.
Returning to Canberra after 8 years Mark rejoined the Commonwealth Public service – principally as a policy adviser on not-for-profit matters, including as a member of the Treasury Taskforce that established the Australian Charities and Not for Profits Commission.
Now actively retired he most enjoys music, rowing, South Coast sojourns, grandchildren, and following his offsprings’ own adventures as creative souls in the contemporary arts world. His favourite art forms include live performance, contemporary craft, film, most forms of music, comedy, humanity and the natural world.
Meredith Hinchliffe has been involved with the arts since 1977 when she began work with the Crafts Council of the ACT. As part of the CCACT exhibition program she curated many exhibitions including several of individual artists and group exhibitions. These included all craft media – ceramics, wood, textiles, leather, metalwork and, to a lesser degree, glass. Craft ACT was included in some touring exhibitions and during her time at the organisation, Meredith showed an exhibition of Molas from the San Blas Islands of Panama. Meredith was a contributor to The Canberra Times from 1978 to 2009 and writes review articles of crafts and visual arts exhibitions and books. She also writes about issues of importance to the arts. She has written articles about for a number of journals, including the National Library News, Smarts, Pottery in Australia, Craft Arts International, Textile Fibre Forum, Object and Ceramic Art and Perception. Meredith worked at The Australian Bicentennial Authority, artsACT and Business Development in the ACT Government. She was responsible for grant programs in each area.
Meredith Hinchliffe was appointed the full-time Executive Director of the National Campaign for the Arts Australia Ltd in July 1996, until the organisation was wound up due to lack of funding in August 1997. During this period she built up a strong network of media contacts and assisted with the successful campaign for Artbank to be retained as a government operation. From August 1997 to December 1999 she worked as a freelance consultant. In 2000 Meredith began an appointment for two years as Project Manager, Australian Science Teachers Association. She was appointed Executive Officer of Museums Australia, the national professional association for museum workers and museums in July 2002. She worked as Public Arts Project Officer for artsACT and has managed several public art installation projects. From July 2008 to April 2009 she was the inaugural Executive Officer of the Donald Horne Institute for Cultural Heritage at the University of Canberra.
Meredith has served on the boards of a number of local arts organisations and was President of Ausdance ACT until May 2011. She is approved to value Australian ceramics, glass, textiles, jewellery, leatherwork, wooden objects and furniture from 1950 for the Australian Government’s Cultural Gifts Program and has undertaken numerous valuations of works in most media, including the valuation of the Tamworth Regional Gallery’s textile collection. Meredith has been involved in a number of projects, including curating the Survey exhibition of the Tamworth Fibre Textile Collection in 2010. In 2000 she was awarded an ACT Women’s Award in recognition of her significant contribution to the ACT community in the arts. In 2011 she was awarded an Australia Day medal by the National Gallery of Australia.
JENNY KEMARRE MARTINIELLO
Born in Adelaide of Arrente, Chinese and Anglo-Celtic descent, Kemarre skin, Jenni Kemarre Martiniello holds a Batchelor of Arts (Visual Arts), Canberra School of Art (now Canberra Institute of the Arts, ANU). Jenni commenced working in glass in 2008 at Canberra Glassworks, and has completed workshops with Klaus Moje, Kirstie Rea, Simon Maberley, Luna Ryan, Sue Kesteven, Itzell Tazzyman, Ruth Oliphant and Jeremy Lepisto. Jenni has been the recipient of many significant awards, and has a long track record as an exhibiting artist. Her work is in many major collections including National Gallery of Australia, National Museum of Australia, Canberra Museum and Gallery, Art Gallery of Western Australia, Art Gallery of South Australia, Museum & Art Gallery of the Northern Territory, Tasmanian Museum and Art Gallery, Australian Parliament House Collection, National Art Glass Collection, ACT Legislative Assembly, University of Newcastle, Bonner School ACT, National Museum of Belau, National Art Galley of the Solomon Islands,. Corning Museum of Glass USA, British Museum, UK.
Lizz Murphy writes between Binalong NSW and Canberra ACT, in a variety of styles from prose poetry to micro poetry and often incorporating found text. Lizz has published fourteen books. Spinifex Press released her ninth poetry title The Wear of My Face in September 2021, Two Lips Went Shopping (2000) and her popular international anthology Wee Girls: Women Writing from an Irish Perspective (1996, 2000). Other titles include: Shebird (PressPress), Walk the Wildly (Picaro/Ginninderra) and Stop Your Cryin (Island). Lizz is widely published in anthologies and journals in Australia and overseas. She was the 1998 ACT Creative Arts Fellow for Literature and her awards and mentions include the ACT’s Rosemary Dobson Poetry Award. Lizz is a former Canberra Times Poetry Editor. Visual art, her first passion, has recently returned in the form of small art & text works. She was part of the One Sky Many Stories living studios (coordinated by Jenni Kemarre Martiniello) at Belconnen Arts Centre in 2018. As a follow-up, Lizz instigated the Postcards from the Sky living studio which resulted in a group exhibition at BAC early 2019 and continues as a small visual arts/writing collective. In the 1970s she was heavily involved in community arts in the Wollongong region. Lizz facilitates writing workshops and mentors poets; she also teaches Tai Chi. Her previous employment includes the inaugural NSW Poetry Development Officer, Executive Officer/Regional Arts Development Officer for Southern Tablelands Arts Inc, freelance publicist for independent publishers, Marketing Manager for Aboriginal Studies Press and Editor of the Yass Tribune. She was the Information Officer (publicity/PR) for the Canberra School of Art and part of a small group of staff who, under Professor David Williams, established the Emerging Artists’ Support Scheme (c.1989) which continues today. She was once upon a time a shop assistant but her worst job was cleaning bricks. Lizz occasionally blogs at A Poet’s Slant lizzmurphypoet.blogspot.com